the things i do for money

A white woman's forearm wearing a stack of hair scrunchies in blue, bronze, and orange tones, in front of a blue backdrop.

I delivered this witchy, moody collection of luxurious silk scrunchies to asil yesterday (link: asil gallery and studio). They’re hand printed with some of my lino blocks, and dyed with indigo, coreopsis, avocado pits, comfrey, and iron. I’ve been using them to wrap up my bedtime topknot and the silk is so gentle on my hellaciously unruly curls and I feel like an old-timey movie star going to bed wearing such elegant accessories even though I’m usually also wearing a stretched-out tank top with ceiling paint on it.

Silk hair scrunchies in blue, bronze, and orange tones, on a blue backdrop.

fabric printing

It’s been difficult to muster up any motivation to work in the studio with all the summer art fairs cancelled. I feel fortunate that I made the decision to close my brick-and-mortar shop just before Coronavirus put a stop to normalcy, but it doesn’t feel like there’s any urgency to make new work. These prints are stalled in the early colour stages with about half of their screenprinted colour layers printed, still a ways from having their linocut key layers added. In the meantime, I printed them in red on some previously printed fabrics. Thinking about a bright, blinding quilt.

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i have nothing interesting to say so let me show you what i bought

‚Äč(cross posted from my studio weblog Levigator Press)
This weekend we closed the studio and drove up to Oshawa to pick up this gorgeous beast:

It’s a 6.5×10 Chandler & Price Pilot, fully refurbished, in beautiful condition, and ready to be put to work. It’s a perfect press for our tiny space, with the capability to handle large scale production while being user friendly and a fantastic learning press for our students and studio members. We can’t wait to fire it up and get printing.