the kitchenening, part one

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Here’s the room with all of its trim removed.

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The fake brick is still there, though. But not for long!

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There it is, all piled in the doorway.

Just about every piece of trim will be repurposed: the window and door trim will go back into the finished kitchen, and the baseboards and plate rail will move into the new dining room (which will be finished off with door trim reclaimed from a closet upstairs, and new trim for the windows made to match the old).

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There wasn’t anywhere to store this 13-foot piece of baseboard so for now we’ve propped it in the new dining room, behind the displaced living room couch, with a shelf bracket installed next to the door on which to prop it (and a bolt stuck through the bracket to prevent the board from falling on our heads).

the kitchenening, part zero

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This is the original dining room of our Sears-built four square house. We put an addition on two years ago that includes a dining room, and since then this space has been mostly used for storage. We’re about to have it remodeled into a kitchen so I wanted to document how it used to be.

Above is the view looking west towards the front of the house and the doorway into the living room. We’ve got both rooms emptied out so that the living room can get a new ceiling at the same time (goodbye, crumbling stucco!) so please just imagine a couch and a stereo and a long coffee table full of books and knitting projects through there. This doorway is going to be closed off up to backsplash height, with a window opening left looking through. We’ll put a grillework into that opening later on, but it’s something we’re planning to make ourselves at the makerspace (link: Meta Makers Cooperative) to which we belong, so for now it’ll be finished off as an opening. Eventually there will be counter and lower cabinets across this whole wall, the fridge with cabinets above it on the left, upper cabinets (yellow!) to the right, and a high open shelf across the gap between them, above this opening.

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Looking north, our beautiful window is one of the few original bits we’re keeping, along with the trim on the opposite wall door that faces the old kitchen, and the hardwood floor. We’ve opted to keep the original finish as is, even though it won’t match our teak finish lower cabinets, because we want to maintain its connection with the rest of our 1911 house.

This wall will also have counter along most of its length, with a gap for the stove towards the right and the sink centred below the window just as nature intended.

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Looking east towards the back of the house, you can see the rough unfinished opening we left heading into the addition and our new dining room beyond. That doorway used to be a beautiful window with a bench seat where my houseplants went to die. The new room beyond it has eight windows and the plants now grow too quickly for me to keep up with. To the right of this doorway will be a floor-to-ceiling pantry in the slightly 1970s-ish yellow we’ve chosen for our upper cabinets.

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To the south here’s a better look at the hideous fake brick that lines this corner where a wood stove was installed when we first bought the house 20 years ago. I go back and forth on which feature of this room I’m most looking forward to never seeing again, the stucco or this fake brick. I wish I had a photo to post of the pieces of mismatched marble (gray, black, and brick red) that were glued directly onto the hardwood under that stove. Most of those pieces got tossed into the pile of junk that got sealed up inside our concrete porch (RIP ugly marble chunks).

This wall will have a built-in bench against it, right from the door trim to the new pantry, where we’ll put a table. It’s going to be lovely to have room for a table in the kitchen again after 20 years, and I’m very much looking forward to having people over to play my family’s weird old German card game here. That doorway, which looks into the old kitchen, will also keep its original trim, breaking up the midcentury vibe of the new design but hey, that’s old houses.

We’ll clean up and repaint that iron grille over the heating vent, which will be underneath the bench. The front of the bench will be left open to accommodate it, so in winter whoever gets coldest (ahem, it’s not me, the middle-aged lady of the house) will be able to sit here and have heat directly onto their feet. At least until the cats find this cozy spot.

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Here’s the current state of the floor in that corner, with glue blobs from the marble floor and finish burned off from the wood stove. For the time being we’re leaving the floor as it is, including this damage, because it’s part of the history of the house, I kind of love it, and most of it will be underneath the pantry, bench, and table anyway.

hey how’s it going, eh

Wouldn’t it be nice to have a space online to keep a little diary, out of the hands of billionaires? It’s been a while but I’m ready to write here again even if I’m the only person who looks at it.

looking down from the top of porch steps at a garden with a cat on the sidewalk

Here’s Girlie, one of our local stray cats, viewed from the porch behind the mess of our late summer garden. This is just after she tried to run up our young hackberry tree after a bunch of sparrows, because Girlie isn’t exactly clever about what’s worth her efforts.

fabric printing

It’s been difficult to muster up any motivation to work in the studio with all the summer art fairs cancelled. I feel fortunate that I made the decision to close my brick-and-mortar shop just before Coronavirus put a stop to normalcy, but it doesn’t feel like there’s any urgency to make new work. These prints are stalled in the early colour stages with about half of their screenprinted colour layers printed, still a ways from having their linocut key layers added. In the meantime, I printed them in red on some previously printed fabrics. Thinking about a bright, blinding quilt.

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goldenrod dye

This is the goldenrod that grows behind our neighbour’s garage, overhanging our driveway. I didn’t ask before I took it but I freed up a whole parking space by cutting it down.

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The yellow it yields is as intense as its flowers (wool roving with alum mordant):

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I’m not confident about its fastness on cotton but it looks good for now:

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a surprise in the dye pot

I didn’t even intend to make dye this time, but I can’t help myself. This week was time to trim down the leaves from our irises, and as they were cooking down in soda ash, a step in hand papermaking that separates organic matter from the cellulose fibres that form the paper, I noticed that the water had turned a beautiful strong green colour. A bell went off when I realized that soda ash is also used to set dyes. Once the cellulose pulp was drying on a screen, I strained the remaining liquor and threw in some cotton fabrics, some premordanted with aluminum acetate and some with soy milk, and this glorious spring green was the result.

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seeing things

I saw a face in the tree, right about here:

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See it?

Here:

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Peter didn’t see it but he did see a rooster head, which he helpfully drew in red.

But wait, there’s another face, with a void on its cheek which contains the first face, or the rooster face, depending on what you see there:

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This is essentially how most of our summer evenings on the porch go, unless there are interesting bugs in the garden or birds to look at with the binoculars. Also we talk constantly about time travel (why it isn’t possible but if it were, how it might work) and consciousness (on the scale of universes, as in, what if the universe is one giant organism). There are worse ways to while away a summer stuck at home.

lockdown knitting

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After a few abortive starts and design failures, the shawl I started just as we went into isolation is finally conforming to my vision. It’s going to be way too huge but that’s okay; “swaddled” seems like a good goal right now.

After testing out a few compatible lace stitches that did not excite, I fell back on an allover arrow pattern with a gradient slide through the different yarns.

Here’s one of the earlier attempts, the best of a series of boring iterations. I know gradients are all the rage in knitting at the moment, but these yarns clearly wanted it.

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Yarns by The Green Button Jar except for the pale blue at the top, which is by Indigo Dragonfly.